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      <image:title>REEL - The Ultimate Fighter Season 27 Coach's Challenge</image:title>
      <image:caption>I've editing many main titles for TUF, but this is one of the most recent and one of my all time favorites. We don't get a ton of room to play, but it's still possible to put our own creative stamp on it.</image:caption>
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      <image:title>REEL - Street Outlaws Episode 116 Final Race</image:title>
      <image:caption>I was a late edition to the Street Outlaws team, and after two months of working on it, I was tasked with cutting the last three acts of the Finale from scratch in seven days. Not only did I succeed, but I receive a grand total of one note from the supervising producer, the executive producer, and all of the network executive's passes combined. I'm pretty proud of that.</image:caption>
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      <image:title>REEL - Lifetime Movie "The Gathering" 30 Second Spot</image:title>
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      <image:title>REEL - The Ultimate Fighter Season 27 Main Title</image:title>
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      <image:title>REEL - Top Shot Episode 203 Team Challenge</image:title>
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      <image:title>REEL - White Noise 20 Second Spot for FX</image:title>
      <image:caption>When I was working for Russ Popick in 07, we worked primarily on material for Lifetime, but this was a happy little diversion / side project. I think we banged out 5 spots in one day.</image:caption>
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      <image:title>REEL - Top Shot All Stars Main Title</image:title>
      <image:caption>This is my favorite of all the main titles I've edited. I cut it from scratch in two and a half days. All of the VFX and SFX work was done by me, although of course some things were changed in online.</image:caption>
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      <image:title>REEL - "Shooting Sizemore" 108 Lunch Scene</image:title>
      <image:caption>I find it's always hard picking "standard" reality scenes for a reel. This scene is a truly open and honest discussion about Tom Sizemore's past and future, and even though I cut it while I was still an assistant, I think it holds up. The music might stand out a bit, but over all I really like it.</image:caption>
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      <image:title>REEL - Street Outlaws Crash</image:title>
      <image:caption>The crash in this sequence is another example of me really messing with sound design. I spent a long time adding breaks noise, tires, the car going through the grass, pretty much everything else. I actually thought they didn't play it up enough in the final mix.</image:caption>
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      <image:title>REEL - The Ultimate Fighter Snake in the Grass</image:title>
      <image:caption>This is one of the most famous scenes in all of The Ultimate Fighter. It isn't just an argument between coaches. Everything leading up to the argument, to it's eventual aftermath contributed to the reshaping of the UFC's lower divisions. I was happy to have gotten the opportunity to edit it.</image:caption>
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      <image:title>REEL - Top Shot Season 2 Finale</image:title>
      <image:caption>While this is another competition scene technically, it's also just one of my favorite moments. George was in many ways the loud mouthed bully of season 2. But where most reality competitors, go out of their way to screw each other over, the competitors on Top Shot proved honorable and selfless.</image:caption>
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      <image:title>REEL - Street Outlaws Argument</image:title>
      <image:caption>Many people outside the industry don't understand what it is we do. In reality, this event spanned over an hour of back and forth, back stories and tangents that would have made it completely uninteresting. Our job is to get to the essence of what the scene really is.</image:caption>
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      <image:title>REEL - Street Outlaws Lucky to be Alive</image:title>
      <image:caption>This is by far the most spectacular crash I edited while on Street Outlaws, and it's a good example sound design work.</image:caption>
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